The story of how the image on a postage stamp and a Southwest Harbor Boat Builder led archivists to research the history of the Landing at Plymouth Rock.
Description: The story of how the image on a postage stamp and a Southwest Harbor Boat Builder led archivists to research the history of the Landing at Plymouth Rock.
Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf
Description: Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf [show more]
Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
ship, engraving, child, woman, hat, man, people, boat
Description: Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
Silkscreen on paper, one of a series of Maine Communities by Francis Hamabe. Most of the series could be seen on a first floor corridor wall at Eastern Maine Medical Center in Bangor, Maine, in 2010.
Description: Silkscreen on paper, one of a series of Maine Communities by Francis Hamabe. Most of the series could be seen on a first floor corridor wall at Eastern Maine Medical Center in Bangor, Maine, in 2010.
The first lobster boat in the foreground, on the dock, M2721A, may have been built by Rich & Grindle for George Dolliver. The excursion boat "Seal" in the center of the photograph was built by Normand Joseph Bouchard for Linwood Boynton Wedge (1913-1961) and Woodrow Wilson Herrick (1914-2002) to be used as a dragger. "Seal" was owned by Samuel A. Blanchard (1926-2009) who took out fishing parties on her. - Information from Ralph Stanley 05/2011 The boat to the right of "Seal" was "Eva Anita" a 40' lobster boat built in 1959 by Bunker & Ellis for Wesley Bracy of Great Cranberry Island.
Description: The first lobster boat in the foreground, on the dock, M2721A, may have been built by Rich & Grindle for George Dolliver. The excursion boat "Seal" in the center of the photograph was built by Normand Joseph Bouchard for Linwood Boynton Wedge (1913-1961) and Woodrow Wilson Herrick (1914-2002) to be used as a dragger. "Seal" was owned by Samuel A. Blanchard (1926-2009) who took out fishing parties on her. - Information from Ralph Stanley 05/2011 The boat to the right of "Seal" was "Eva Anita" a 40' lobster boat built in 1959 by Bunker & Ellis for Wesley Bracy of Great Cranberry Island. [show more]
Media: Rotary Press-Bureau of Engraving and Printing Color: Blue green Size: 1.5625" x 1" Country: United States Postage Value: 3 Cents Issue Origin: To commemorate the 150th anniversary if the launching of the U.S. Frigate Constitution Issue Date: October 21, 1947 Issue Location: Charlestown Navy Yard, Boston, Massachusetts Issue Size: 131,488,000
Description: Media: Rotary Press-Bureau of Engraving and Printing Color: Blue green Size: 1.5625" x 1" Country: United States Postage Value: 3 Cents Issue Origin: To commemorate the 150th anniversary if the launching of the U.S. Frigate Constitution Issue Date: October 21, 1947 Issue Location: Charlestown Navy Yard, Boston, Massachusetts Issue Size: 131,488,000
Title: USS Constitution - The War of 1812 Scott Cat. Number: 4703 Subject: War of 1812 Artist: Includes c. 1803 painting by Michele Felice Cornè Designer: Greg Breeding Art Director: Greg Breeding Typographer: Greg Breeding Media: Photogravure - Avery Dennison Color: Multicolor - Yellow, Magenta, Cyan, Black, 7506 (Tan) Size: 1.560" x 1.225" Country: United States Postage Value: 45 Cents Issue Series: Bicentennial of the War of 1812 - 1st in series Issue Origin: To commemorate the bicentennial of the War of 1812. Issue Date: August 18, 2012 Issue Location: Charleston Navy Yard, Boston, Massachusetts Issue Size: 25,000,000
Southwest Harbor Public Library Collection of Photographs
Tags:
boat, ship
Description: Title: USS Constitution - The War of 1812 Scott Cat. Number: 4703 Subject: War of 1812 Artist: Includes c. 1803 painting by Michele Felice Cornè Designer: Greg Breeding Art Director: Greg Breeding Typographer: Greg Breeding Media: Photogravure - Avery Dennison Color: Multicolor - Yellow, Magenta, Cyan, Black, 7506 (Tan) Size: 1.560" x 1.225" Country: United States Postage Value: 45 Cents Issue Series: Bicentennial of the War of 1812 - 1st in series Issue Origin: To commemorate the bicentennial of the War of 1812. Issue Date: August 18, 2012 Issue Location: Charleston Navy Yard, Boston, Massachusetts Issue Size: 25,000,000 [show more]
Fitz Henry Lane painted one of the earliest views of Southwest Harbor, and seems to have studied the shore carefully. The view shows a lumber schooner loading its long cargo through a port in the bow of the vessel. The white house immediately to the left of the vessel probably shows an early version of the Seth Higgins Clark House. The white house at the center of the shore is the Nathan Clark II House. The white building at the far left is Deacon Henry Higgins Clark's Island House Hotel, early in its career, before it was expanded into several stories with a mansard roof. Clark descendants, and their houses, are still in Southwest Harbor. William Howe Witherle (1821–1906) accompanied Lane on his trip around Mount Desert Island and recorded many of their adventures in his diary. On August 21 he wrote, "… George, Joe & myself took breakfast this morning at the Island House – and a fine one it was – price 25 cts – Mr. Lane took 2 sketches here…” The sketches referred to were of the shore and harbor, not the hotel. See: Witherle, William Howe. William Witherle Diary (unpublished manuscript) (August 16–21, 1852). Personal diary in the collection of the Wilson Museum, Castine, Maine (A00060-1a-1h).
Description: Fitz Henry Lane painted one of the earliest views of Southwest Harbor, and seems to have studied the shore carefully. The view shows a lumber schooner loading its long cargo through a port in the bow of the vessel. The white house immediately to the left of the vessel probably shows an early version of the Seth Higgins Clark House. The white house at the center of the shore is the Nathan Clark II House. The white building at the far left is Deacon Henry Higgins Clark's Island House Hotel, early in its career, before it was expanded into several stories with a mansard roof. Clark descendants, and their houses, are still in Southwest Harbor. William Howe Witherle (1821–1906) accompanied Lane on his trip around Mount Desert Island and recorded many of their adventures in his diary. On August 21 he wrote, "… George, Joe & myself took breakfast this morning at the Island House – and a fine one it was – price 25 cts – Mr. Lane took 2 sketches here…” The sketches referred to were of the shore and harbor, not the hotel. See: Witherle, William Howe. William Witherle Diary (unpublished manuscript) (August 16–21, 1852). Personal diary in the collection of the Wilson Museum, Castine, Maine (A00060-1a-1h). [show more]