The Henry L. Gray house was begun by Henry Tracy as a residence for Mr. and Mrs. Harvey Hodgkins, who had purchased the land from J. A. Freeman. The cellar was just completed and some of the lumber on the spot when Mr. Hodgkins died. Later, the property was purchased by Mr. Gray and the house built as his home. Work begun on it November 27, 1907, and the Grays moved in on February 10, 1908. Mr. Gray built the store to the south of his house in 1931.
Description: The Henry L. Gray house was begun by Henry Tracy as a residence for Mr. and Mrs. Harvey Hodgkins, who had purchased the land from J. A. Freeman. The cellar was just completed and some of the lumber on the spot when Mr. Hodgkins died. Later, the property was purchased by Mr. Gray and the house built as his home. Work begun on it November 27, 1907, and the Grays moved in on February 10, 1908. Mr. Gray built the store to the south of his house in 1931. [show more]
As of 2019, the Tom Cat market no longer occupies the second building on the left. The fourth building from the left in 2019 is Fred's Place, which was once the Jackson Market.
Description: As of 2019, the Tom Cat market no longer occupies the second building on the left. The fourth building from the left in 2019 is Fred's Place, which was once the Jackson Market.
From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation.
Description: From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation.
Description: Maine Geological Survey, Geologic Map 18-16. To download or purchase this map, visit the DigitalMaine Repository (click the Web Resource link below).
"I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules
Description: "I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules [show more]
With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°.
Description: With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°.
George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier.
Description: George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier. [show more]