Front Row - Left to Right: Andrew Donald Berry (1918-1968) Malcolm I. Bennett (1916-1976) Clinton D. Foss (1916-1999) Cecil Edwin Dorr (1917-1995) William Wescott Billings (1916-2000) Arthur L. Mitchell (1918-2003) Lawrence Berry (1920-1996) Second Row - Left to Right: Gilbert Finney Hall (1918-1998) Wesley Candage Roberts (1917-1988) Wilder S. Hamblen (1917-1957) Cecil E. Reed (1918-1998) Arlington H. Bickford (1918-1983) Back Row - Left to Right: Rebecca K. Dunbar (1918-1978) - later Mrs. Almon Frank Ramsdell Jr. Madeline Louise Norwood (1917-2000) - later Mrs. Raleigh Edgar Stanwood Vesta Harriet Lord (1916-) - later Mrs. Malcolm Wade Clough and Mrs. Unknown Goodwin and Mrs. Hoyt Ashton Stanley Priscilla Mitchell (1918-2010) - later Mrs. Joseph Calvin Trafton Dorothy Barbara Nason (1919-) Marjorie F. White (1917-1998) - later Mrs. Irving W. Parritt Enola Madeline Gilley (1920-2003) - later Mrs. Bertram E. Farmer Alice L. Mitchell (1918-1972) - later Mrs. Normand Joseph Bouchard
Description: Front Row - Left to Right: Andrew Donald Berry (1918-1968) Malcolm I. Bennett (1916-1976) Clinton D. Foss (1916-1999) Cecil Edwin Dorr (1917-1995) William Wescott Billings (1916-2000) Arthur L. Mitchell (1918-2003) Lawrence Berry (1920-1996) Second Row - Left to Right: Gilbert Finney Hall (1918-1998) Wesley Candage Roberts (1917-1988) Wilder S. Hamblen (1917-1957) Cecil E. Reed (1918-1998) Arlington H. Bickford (1918-1983) Back Row - Left to Right: Rebecca K. Dunbar (1918-1978) - later Mrs. Almon Frank Ramsdell Jr. Madeline Louise Norwood (1917-2000) - later Mrs. Raleigh Edgar Stanwood Vesta Harriet Lord (1916-) - later Mrs. Malcolm Wade Clough and Mrs. Unknown Goodwin and Mrs. Hoyt Ashton Stanley Priscilla Mitchell (1918-2010) - later Mrs. Joseph Calvin Trafton Dorothy Barbara Nason (1919-) Marjorie F. White (1917-1998) - later Mrs. Irving W. Parritt Enola Madeline Gilley (1920-2003) - later Mrs. Bertram E. Farmer Alice L. Mitchell (1918-1972) - later Mrs. Normand Joseph Bouchard [show more]
Ruth Celestia Stanley (1931-2014) Ralph Warren Stanley (1929-2021) Barbara I. Somes (1925-2010) The house visible just above Barbara Somes’ left shoulder was Dr. Joseph Dana Phillips’ house
Description: Ruth Celestia Stanley (1931-2014) Ralph Warren Stanley (1929-2021) Barbara I. Somes (1925-2010) The house visible just above Barbara Somes’ left shoulder was Dr. Joseph Dana Phillips’ house
The John Lawson Stoddard Cottage - The Edward Wyatt Evans Cottage is visible on the opposite shore. Francis Milton Spurling (1896-1958) , in a white shirt, is standing on the lower dock next to his boat, "Trailaway," later Maddy Sue. "Trailaway" was built by Chester Eben Clement.
Description: The John Lawson Stoddard Cottage - The Edward Wyatt Evans Cottage is visible on the opposite shore. Francis Milton Spurling (1896-1958) , in a white shirt, is standing on the lower dock next to his boat, "Trailaway," later Maddy Sue. "Trailaway" was built by Chester Eben Clement.
The cars are probably a 1936 Ford and a 1936 Oldsmobile. The building on the left is the Dudley Luther Mayo house. The white building, then the Carroll Building on Main Street in Southwest Harbor, housed Carroll Drug Store and the A&P. The village green is just visible to the right of the building.
Description: The cars are probably a 1936 Ford and a 1936 Oldsmobile. The building on the left is the Dudley Luther Mayo house. The white building, then the Carroll Building on Main Street in Southwest Harbor, housed Carroll Drug Store and the A&P. The village green is just visible to the right of the building.
""Just as it had been Edsel's [Edsel Ford] idea to buy Lincoln to give the company an elegant car to match GM's Cadillac, so in the midthirties, as Ford's competitive position continued to slip, he tried to get a part of the middle-priced market through the Zephyr. The Zephyr began as the Briggs Manufacturing Company ""dream car."" which Edsel saw in prototype at the 1933 automobile show. He was excited by it, having wanted for some time a car in price and quality between the Ford and the Lincoln. He bought the rights from Briggs and then brought in Eugene T. Gregorie, a former boat designer, to carry out his vision of a sleek auto for the middle-class buyer."" - “The Fords: An American Epic” by Peter Collier and David Horowitz, p. 158-159 - illustration #40 - 1987 Apparently design direction worked both ways. ""The design (above the water line) of speed boats of the 30's, 40's and 50's was influenced by automobile design of that era."" - Interview with Charles Morrill - 10/20/08 Morrill - Charles Barrett Morrill (1934-) ""Bink was obsessed with Lincoln Zephyr cars. He stove up three within two weeks. They all had this streamlined look."" - Interview with Ralph Stanley October 20, 2008 A photograph of the Lincoln Zephyr that is supremely evocative of the design era that influenced Bink Sargent appears in “Photographs from the Collection of the Gilman Paper Company,” curated by Pierre Apraxine, with plates by Richard Benson, and notes to the plates by Lee Marks. 480 pp. 199 plates and a frontispiece. Large folio (16 by 18.25 inches), bound in original half maroon calf over linen covered boards, in a slipcase. [Verona: Stamperia Valdonega for] The White Oak Press, 1985. Limited edition of 1200. Copy Number 466 in the collection of the Southwest Harbor Public Library. See: Plate 188, Lincoln Zephyr 1936 by Grancel Fitz (1894–1963) The original photograph, ""Lincoln Zephyr with Graf Zeppelin,"" is in the Collection of the Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987.
Description: ""Just as it had been Edsel's [Edsel Ford] idea to buy Lincoln to give the company an elegant car to match GM's Cadillac, so in the midthirties, as Ford's competitive position continued to slip, he tried to get a part of the middle-priced market through the Zephyr. The Zephyr began as the Briggs Manufacturing Company ""dream car."" which Edsel saw in prototype at the 1933 automobile show. He was excited by it, having wanted for some time a car in price and quality between the Ford and the Lincoln. He bought the rights from Briggs and then brought in Eugene T. Gregorie, a former boat designer, to carry out his vision of a sleek auto for the middle-class buyer."" - “The Fords: An American Epic” by Peter Collier and David Horowitz, p. 158-159 - illustration #40 - 1987 Apparently design direction worked both ways. ""The design (above the water line) of speed boats of the 30's, 40's and 50's was influenced by automobile design of that era."" - Interview with Charles Morrill - 10/20/08 Morrill - Charles Barrett Morrill (1934-) ""Bink was obsessed with Lincoln Zephyr cars. He stove up three within two weeks. They all had this streamlined look."" - Interview with Ralph Stanley October 20, 2008 A photograph of the Lincoln Zephyr that is supremely evocative of the design era that influenced Bink Sargent appears in “Photographs from the Collection of the Gilman Paper Company,” curated by Pierre Apraxine, with plates by Richard Benson, and notes to the plates by Lee Marks. 480 pp. 199 plates and a frontispiece. Large folio (16 by 18.25 inches), bound in original half maroon calf over linen covered boards, in a slipcase. [Verona: Stamperia Valdonega for] The White Oak Press, 1985. Limited edition of 1200. Copy Number 466 in the collection of the Southwest Harbor Public Library. See: Plate 188, Lincoln Zephyr 1936 by Grancel Fitz (1894–1963) The original photograph, ""Lincoln Zephyr with Graf Zeppelin,"" is in the Collection of the Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987. [show more]