As of 2019, the Tom Cat market no longer occupies the second building on the left. The fourth building from the left in 2019 is Fred's Place, which was once the Jackson Market.
Description: As of 2019, the Tom Cat market no longer occupies the second building on the left. The fourth building from the left in 2019 is Fred's Place, which was once the Jackson Market.
Edward Lothrop Rand, the brother of photographer, Henry L. Rand, was born to Edward Sprague (II) and Jane Augusta “Jennie” Lathrop Rand on August 22, 1859 in Dedham, Massachusetts. Edward attended the private school of J.P. Hopkinson in Boston and graduated from Harvard in the class of 1881 (Phi Beta Kappa, cum laude) and Harvard Law School in 1884. He married Annie Matilda Crozier, a school teacher, on June 29, 1893 in Boston, Massachusetts. Edward and Annie lived in Cambridge, Massachusetts. His law office was at 53 State Street, Room 740 in Boston. Edward and Annie Rand lived on the Henry Clay and Henry Seaton Rand estate in the house at 120 Elm Street next door to the main house. He was a member of the Champlain Society. Edward Lothrop Rand died on October 9, 1924.
Description: Edward Lothrop Rand, the brother of photographer, Henry L. Rand, was born to Edward Sprague (II) and Jane Augusta “Jennie” Lathrop Rand on August 22, 1859 in Dedham, Massachusetts. Edward attended the private school of J.P. Hopkinson in Boston and graduated from Harvard in the class of 1881 (Phi Beta Kappa, cum laude) and Harvard Law School in 1884. He married Annie Matilda Crozier, a school teacher, on June 29, 1893 in Boston, Massachusetts. Edward and Annie lived in Cambridge, Massachusetts. His law office was at 53 State Street, Room 740 in Boston. Edward and Annie Rand lived on the Henry Clay and Henry Seaton Rand estate in the house at 120 Elm Street next door to the main house. He was a member of the Champlain Society. Edward Lothrop Rand died on October 9, 1924. [show more]
From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation.
Description: From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation.
"I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules
Description: "I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules [show more]
With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°.
Description: With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°.
George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier.
Description: George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier. [show more]