To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules
Description: To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules [show more]
The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph.
Description: The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph. [show more]
Description: Freeman's Store was the building on the left which in 2017 was the Southwest Cycle Shop. The Moody Mermaid and the Carroll Building are on the right.