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Item Title Type Subject Creator Publisher Date Place Address Description
12272Lobster and Traps
  • Image, Photograph, Negative
  • Object, Fishing, Fish Trap, Lobster Trap
  • Blood - Ralph Farnham Blood (1905-1972)
10256Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10257Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10258Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10259Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10260Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10261Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10262Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10263Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10264Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10265Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10266Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
10267Silver Inlay - Hand Made Gun
  • Image, Photograph
  • Object, Other Object
  • Smallidge - Robert Lindsay Smallidge Jr. (1936-2010)
11509Stove from the Arethusa III
  • Image, Photograph
  • Object, Other Object
Tiled enclosure and stove
Description:
Tiled enclosure and stove
8967Hand Made Gun
  • Image, Photograph
  • Object, Armaments, Rifle
10268Robert Smallidge Sr. and his Hand Made Gun
  • Image, Photograph
  • Object, Armaments, Rifle
  • People
15332Vasculum
  • Image, Photograph
  • Object, Other Object
A vasculum or a botanical box is a stiff container used by botanists to keep field samples viable for transportation. The main purpose of the valsculum is to transport plants without crushing them and by maintaining a cool, humid environment. Vascula are cylinders typically made from tinned and sometimes lacquered iron, though wooden examples are known. The box was carried horizontally on a strap so that plant specimens lie flat and lined with moistened cloth.[1] Traditionally, British and American vascula were somewhat flat and valise-like with a single room, while continental examples were more cylindrical and often longer, sometimes with two separate compartments.[2] Access to the interior is through one (sometimes two) large lids in the side, allowing plants to be put in and taken out without bending or distorting them unnecessarily. This is particularly important with wildflowers, which are often fragile. Some early 20th century specimen are made from sheet aluminium rather than tin, but otherwise follow the 19th century pattern. The exterior is usually left rough, or lacquered green. This item's second image is a painting by Hermann Kern Der Botaniker depicting the artist's view of a botanist with a vasculum.
Description:
A vasculum or a botanical box is a stiff container used by botanists to keep field samples viable for transportation. The main purpose of the valsculum is to transport plants without crushing them and by maintaining a cool, humid environment. Vascula are cylinders typically made from tinned and sometimes lacquered iron, though wooden examples are known. The box was carried horizontally on a strap so that plant specimens lie flat and lined with moistened cloth.[1] Traditionally, British and American vascula were somewhat flat and valise-like with a single room, while continental examples were more cylindrical and often longer, sometimes with two separate compartments.[2] Access to the interior is through one (sometimes two) large lids in the side, allowing plants to be put in and taken out without bending or distorting them unnecessarily. This is particularly important with wildflowers, which are often fragile. Some early 20th century specimen are made from sheet aluminium rather than tin, but otherwise follow the 19th century pattern. The exterior is usually left rough, or lacquered green. This item's second image is a painting by Hermann Kern Der Botaniker depicting the artist's view of a botanist with a vasculum. [show more]
12786Botanical Specimen Boxes
  • Image, Photograph
  • Object, Other Object
13378Flag of the United States Customs Service
  • Image, Art, Drawing
  • Object, Other Object
15653Chronometer from the Rebecca R. Douglas Schooner
  • Image, Photograph, Digital Photograph
  • Object, Other Object
The photo above and the information that follows is from Andrew Baron of Santa Fe, New Mexico. The ship’s two survivors were rescued on May 2, while the boat went down on April 28 near Cape May New Jersey. Depending on the weather, this means the schooner would likely have sailed out of New York (where its chronometer was calibrated on April 16) on April 26 or 27, only a week and half or so after the chronometer’s certification. I have the ship's marine chronometer (precision ship's clock shown in the photo above) from the Rebecca R. Douglas, well preserved and working, along with a verified vintage calibration certificate (timekeeping accuracy tested, calibrated and certified by an established chronometer firm) dated April 16, 1943, only two weeks before this schooner went down. This would likely have been done in preparation for its last journey. It's a mystery how the clock and its certificate survived when the ship did not. Given the date of the demise of the Rebecca R. Douglas, I can only assume that it had more than one chronometer, leaving one behind in New York and sailing with another. There’s more I want to learn about this however; the need of the navigator to definitely have a chronometer on board, to plot longitude on a north-to-south passage through coastal waters, how long a chronometer would remain with the certifying company after certification, prior to boarding ship, whether a coastal schooner like the RR Douglas would have had more than one chronometer, the prevailing weather at the time of the accident, whether U-boats that were observed off US coasts were in the area at that time, and the names of the two survivors long with the names of those who perished when the schooner went down. This last detail might possibly make the survival of this artifact of some importance to descendants of the victims and survivors. If any of them had young children at that time, they may still be living. This unusual survivor may be all of significance that remains of the tangible material associated with that boat, apart from the photo in your library collections. During wartime every viable old chronometer that could be found was reconditioned and pressed into service for the Navy and Merchant Marine, to augment new ones made to meet the increased demand for navigational aids. When this chronometer, made by Thomas Porthouse, ca. 1850 in London, was assigned to the Rebecca R. Douglas, it was already close to a century old, and yet its accuracy could still be certified for ongoing service at sea.
Description:
The photo above and the information that follows is from Andrew Baron of Santa Fe, New Mexico. The ship’s two survivors were rescued on May 2, while the boat went down on April 28 near Cape May New Jersey. Depending on the weather, this means the schooner would likely have sailed out of New York (where its chronometer was calibrated on April 16) on April 26 or 27, only a week and half or so after the chronometer’s certification. I have the ship's marine chronometer (precision ship's clock shown in the photo above) from the Rebecca R. Douglas, well preserved and working, along with a verified vintage calibration certificate (timekeeping accuracy tested, calibrated and certified by an established chronometer firm) dated April 16, 1943, only two weeks before this schooner went down. This would likely have been done in preparation for its last journey. It's a mystery how the clock and its certificate survived when the ship did not. Given the date of the demise of the Rebecca R. Douglas, I can only assume that it had more than one chronometer, leaving one behind in New York and sailing with another. There’s more I want to learn about this however; the need of the navigator to definitely have a chronometer on board, to plot longitude on a north-to-south passage through coastal waters, how long a chronometer would remain with the certifying company after certification, prior to boarding ship, whether a coastal schooner like the RR Douglas would have had more than one chronometer, the prevailing weather at the time of the accident, whether U-boats that were observed off US coasts were in the area at that time, and the names of the two survivors long with the names of those who perished when the schooner went down. This last detail might possibly make the survival of this artifact of some importance to descendants of the victims and survivors. If any of them had young children at that time, they may still be living. This unusual survivor may be all of significance that remains of the tangible material associated with that boat, apart from the photo in your library collections. During wartime every viable old chronometer that could be found was reconditioned and pressed into service for the Navy and Merchant Marine, to augment new ones made to meet the increased demand for navigational aids. When this chronometer, made by Thomas Porthouse, ca. 1850 in London, was assigned to the Rebecca R. Douglas, it was already close to a century old, and yet its accuracy could still be certified for ongoing service at sea. [show more]