Description: The photographer and date are unknown, but judging from the gasoline pumps at the end of the wharf, the photo could be as early as the 1920s.
One of the photos is a Christmas card from H. R. Beal and Sons, Inc. signed Harvard & Elva. Another shows what appears to be construction of the wharf during the early 1900s judging by the pickup truck in the background.
Description: One of the photos is a Christmas card from H. R. Beal and Sons, Inc. signed Harvard & Elva. Another shows what appears to be construction of the wharf during the early 1900s judging by the pickup truck in the background.
This boat shop, built behind the owner's house, complete with two elegant bird houses, could have belonged to any one of many boat builders on and around Mount Desert and its surrounding islands or perhaps have been somewhere else in Maine. It is typical of the way mechanization crept into the boat building and servicing industry. The sign on the roof of the shop says, "Hartford Marine Gas Engines For Sale."
Description: This boat shop, built behind the owner's house, complete with two elegant bird houses, could have belonged to any one of many boat builders on and around Mount Desert and its surrounding islands or perhaps have been somewhere else in Maine. It is typical of the way mechanization crept into the boat building and servicing industry. The sign on the roof of the shop says, "Hartford Marine Gas Engines For Sale."
The cabins have been remodelled and are still standing as of 2017. The buildings just visible behind the cabins are all on Main Street in Southwest Harbor. They are, from left to right: The Maurice Stanley Rich house - 411 Main Street. The James T. Crockett house - 405 Main Street. The Benjamin M. Robinson house - 397 Main Street.
Description: The cabins have been remodelled and are still standing as of 2017. The buildings just visible behind the cabins are all on Main Street in Southwest Harbor. They are, from left to right: The Maurice Stanley Rich house - 411 Main Street. The James T. Crockett house - 405 Main Street. The Benjamin M. Robinson house - 397 Main Street.
Says Grampa Norwood's House Grammie - Aljava Celestine Carver Norwood (1844-1917) holding Percy Lord Norwood (1896-1897) and Aunt Emma - Emma J. Coggins Norwood (1872-1951)
Description: Says Grampa Norwood's House Grammie - Aljava Celestine Carver Norwood (1844-1917) holding Percy Lord Norwood (1896-1897) and Aunt Emma - Emma J. Coggins Norwood (1872-1951)
To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules
Description: To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules [show more]